![]() Now the magical place between chiming clean and blooming overdrive the Z Wreck was lauded for is at the player’s fingertips at any volume level, be it full bore on stage or at home in the practice room. ![]() introduces a post-phase inverter master volume circuit into the design ideal for studios, small clubs, and worship venues. ![]() As a half-powered sibling of the original Z Wreck, the Z Wreck Jr. ![]() Z took up over nearly a year of development. Controlling the loudness without compromising the character and harmonic overtones of the original Z Wreck formula became the challenge Dr. Yet being a non-master volume amp, reining in the Z Wreck’s robust volume has always been a concern for working musicians who require a controllable sonic footprint for smaller venues and less raucous gigs, but demand the tactile response and dynamic expressiveness found the amp. All three combined their thoughts and wishes for a perfect stage-worthy amp then launched the Z Wreck, a design that has become a “halo product” for Dr. Z, the late amplifier guru Ken Fischer of Trainwreck Amps, and country music star Brad Paisley. Entering production 10 years ago, the original Z Wreck amplifier has reached somewhat of a legendary status among Z players, being a hallmark collaborative effort between Dr.
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